William Esdaile

Who was William Esdaile?

William Esdaile, was an English banker and print collector.

Esdaile was the fourth son of Sir James Esdaile of Great Gains, Essex, lord mayor of London, by his second wife, Mary Mayor. He received a commercial education, and was placed as a clerk in the banking-house of Ladbrooke & Co. In or about 1780 Sir James Esdaile was induced by his son-in-law, Sir Benjamin Hammet, to found with him a new banking business, and on its formation William Esdaile transferred his services to the house of Esdaile, Hammet, & Co., 21 Lombard Street.

Esdaile's son describes his appearance at work in a private journal:

Last but not least in the welfare of the concern came W. Esdaile, the man of business; perched on a high stool he was to be seen intent on the movements of the machine; hardly regarding those who came into the partners' office he was absorbed in his task. He had neither talent nor inclination for conversation on general subjects, and he knew little or nothing of what was passing out of banking hours.

The business prospered under his care, and, finding money at his command, Esdaile widened the scope of his tastes, and began to frequent sales of prints. His earlier purchases were sparing and cheap, but, distrusting his own judgment, he engaged a professional assistant, accompanied by whom he attended all the great auctions in London. Though prints formed the bulk of his collection, he also largely purchased, as opportunity offered, coins, china, books, and the general miscellanea of the sale-room. Towards the last few years of his life, when his mind was breaking up, he abandoned his usual caution, and spent on a large and sometimes reckless scale, greatly to the advantage of his collection, which was considered one of the most valuable in England. It was sold after his death, the sale extending over sixteen days. The chief attractions were the very complete set of Rembrandt etchings and Claude drawings, which Esdaile had bought on the dispersal of Sir Thomas Lawrence's collection, and a large selection from the best work of the early Italian engravers.