Gilbert Luján

Who was Gilbert Luján?

Gilbert "Magú" Luján was a well known and influential Chicano sculptor, muralist and painter. He founded the famous Chicano collective Los Four that consisted of artists Carlos Almaraz, Beto de la Rocha, Frank Romero and himself. In 1974, Judithe Hernández became the "fifth" and only female member of Los Four.

Luján was born in French Camp, California, near Stockton, to parents of Mexican and indigenous ancestry from West Texas. Six months later, his family relocated to East Los Angeles, California, where he spent his childhood and adolescence, except for some time in Guadalajara in 1944 or 1945. As a young teenager, Luján was heavily influenced by the Afro-American music scene in Los Angeles, for instance listening to Johnny Ace, Spade Cooley, and Mary Wells. He went to El Monte High School, class of 1958.

After serving in the Air Force, Luján returned home from three years in England in 1962 and began to attend college, first at East Los Angeles College, then to California State University, Long Beach, where he earned his B.A. in Ceramic Sculpture in 1969 and then to University of California, Irvine, where he earned an M.F.A. in Sculpture in 1973. By this time East L.A. had become a hotbed of socio-political and cultural activity, as the Chicano Movement became a turbulent and exciting social force in the communities the U.S. Southwest. At this time Luján began to organize art exhibits and artists' conferences to establish Chicano Art as a valid form of artistic axpression. The first of these was held at Camp Hess-Kramer, which was, according to Luján, "a Jewish camp that allowed Mexican-Americans to meet there to talk about educational disparities that we had in East L.A." In 1969, Luján curated a Chicano art show at Cal State Long Beach, and during the show's run, met with various artists associated with East LA art journal Con Safos. Luján was invited to become art director of Con Safos, and through this work, he met with three other like-minded Chicano artists and formed Los Four in the Fall of 1973 at the University of California, Irvine. In 1973, Los Four had their premiere exhibition at UC Irvine. In 1974, Los Four exhibited the Los Angeles County Museum of Art's first-ever Chicano Art show, appropriately called "Los Four." This was quickly followed by several other exhibitions on the west coast. Los Four did for Chicano visual art what ASCO had done for Chicano performance art; that is, it helped establish the themes, esthetic and vocabulary of the nascent movement. "Magú", the name by which Luján is most known says of that time: